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So I’m grappling with the idea of letting go. My children have become teenagers who are about to be adults and leave the nest. One of the things I’m struggling with in this overall story, in the book itself, which covers about a two-year period, and it’s this two-year period where everything in life is changing. I mean, you know, I ended up naming the book Bomb Shelter. So, this is one of the small, true stories, but clearly a very important one. It is a fact and it is true, although it is not, you know, it doesn’t even come up until halfway through this book and it’s one of the, when you write a memoir in essays, it’s this really fun process where you get to put a lot of small, true stories together to make up one big, true story. It’s a fact, it’s true, but relate for us, please, how and when you decided to move that fact into place and write from underneath it. In this gorgeous new book, as well as in an excerpt in the Atlantic, a recent excerpt, you take on the idea of how we cannot protect anyone forever, and you come by this idea naturally: your father worked in a nuclear bomb shelter, an idea that kind of sits over the roof of this entire tale. Marion: It’s so, just joyous to read, and we’re going to get into why. I have to tell you, your most recent book, this is a gorgeous book and. It’s particularly wonderful after reading your book. Marion: It’s just really fun to have you.